Strongly marked by Spanish colonization, Mexico is also marked by the presence to the north of a powerful neighbor, with increasing influence. Indian civilizations have left their mark on the Mexican culture which is characterized by its syncretism. Mexico has been independent since 1821. As you watch movies online from Mexico, you can learn of the followings.

The silent cinema

The inhabitants of Mexico City discover the Edison Kinetoscope on January 17, 1895 and the Lumière Cinematograph on August 14, 1896. Light operators take views of the city and images of the dictator Porfirio Díaz. The following year the first Mexican documentary tapes were filmed, as Corrida entered toros for the cuadrilla of Bonciano Díaz and several independent operators develop a cinema inspired by the Lumière brothers. In 1899 Toscano Barragán produced the first Mexican short fiction, Don Juan Tenerio, and in 1906 Salvador Toscano made a real report, Viaje a Yucatán, on an official trip to Diáz.

In 1906, several cinemas opened in the country and soon a studio was created in Mexico, which produced many documentaries and the first comic feature films, El San Lunes del valedor (1907), by Manuel Noriega, and Aventuras by Tip Top in Chapultepec (1907) of Felipe de Jesús Haro. Historical evocations are also very popular and Dolores’ cry (El Grito de Dolores, 1907) by Jesús Haro, evoking the struggle for independence in 1810, is even the subject of mandatory projections on the day of the feast of the Independence under the Diáz regime and to know more about watch movies online .

  • A type of social melodrama influenced by French naturalism, which describes the enslavement of peasants to an almost feudal power, flourishes very early with The Revenge of the Glebe (the Venganza de la Gleba, 1906) Federico Gamboa.
  • The revolutionary struggles following the fall of the dictatorship of Diáz in 1911 are accompanied by the cinema with films such as Revolución orozquista (1912), brothers Alva, or Revolución en Veracuz (1912), Enrique Rosas. But the introduction of censorship in 1913, and the triumph of “constitutionalism” after 1917 put an end to the revolutionary film movement.
  • Production companies are being created, such as Mexico Luz or Azteca Films, which aim to show the dignity of the Mexican people. In this light, Ezequiel Carrasco’s Light (la Luz, 1917), an integral plagiarism of Giovanni Pastrone’s Fire (il Fuoco, 1915), is a great success.

The first film featuring actress Mimi Derba, For her own defense (In defensa propria, 1917) by Joaquim Coss, sets up the fruitful foundations of a type of family melodrama whose mother is the central figure. El Automóvil gris (1919), a series of 30 episodes by Enrique Rosas, Joaquín Coss and Juan Manuel Cabrera, inspired by the American serial and authentic events, was a great success. But in the twenties, the American competition is doubling and the Mexican production, already random, collapses quickly. Only notable success, La Luz (1927), plagiarism of the Italian cinema which inspired the Mexicans, because of its European origin and of his Latin character.

The talking cinema

At the arrival of the speaking, the Hollywood cinema has the control of the market. In response but with limited success, a conventional national cinema (history, traditions, landscapes) was able to sketch out what will be called cinematographic “mexicanism”.